![]() I take it that you mean the swooping, curved lines that form the background textures as in the example below. Remember the saying: "Everything that can be done in. Example of vector work I couldn't do shifting over. Someone should start a thread on these forums of hidden features of the suite, I'm sure there are probably more out there. Like the opacity/noise toggle feature in the colour panel this one is kind of hidden, once you know, you know, I suppose. Hence the need for a proper blend tool, but for some cases this quick grid feature will suffice. It's not a perfect solution as it's kind of a one way workflow, once you "unclick" you lose the ability to add more copies or make any adjustments. While still pressed you can resize the shape as you make additional copies and they will all resize at the same time. You can use any of the arrows keys to add copies in that direction. Each press adds a new copy, holding the arrow key adds space between each copy. To use it, grab a shape from the shape tool panel and drag it out, before letting go of the tool press the right arrow key to add copies of your shape to the right of the original. It's not a blend tool and agree I think we definitely need one but the new somewhat hidden quick grid feature can help to layout simple shapes from the shape tools. Having blend morph can be critical for many. Should the word go around, NO-ONE is going take the risk of moving over to Affinity Designer. You are losing big bucks, if not the whole business with oversights like this. Otherwise Affinity Designer positions itself in the freeware slash amateur category. ![]() ![]() Come on, guys! I really wish to move away from Adobe. Unfortunately this is 100% deal breaker for me, for 95% of my vector work is dependent on vector steps blend - fabric textures and hair, no way doable by hand. "So, I just started the trial with "cash in hand" to pay and it seems there is no Object nor Path blend tool. This includes a pen tool crash course to quickly get you up to speed, plus all of our most used shortcuts, tips and tricks to show you the simplest and quickest workflow we use.I'll quote myself since I kind of put some effort into it already, under V1 discussion. To complete this massive collection of vector brushes, we’ve also created an in-depth, full length tutorial which walks through our entire illustration process – start to finish. And, of course, you can adjust the texture scale, strength or reposition the texture and it will always look flawless. WIth a single click, you can apply a brush stroke, set colours and add textures to any shape you’ve drawn.Īnd for the perfect finishing touch (or more control on each and every shape in your illustration) we’ve created a collection of 10 high resolution, tiled, repeating paper textures which already have their layer blend mode and opacity set – simply select (or draw) a shape, click on one of our paper styles and it sets it all up in a nano second. We’ve included a ton of bonus content in the pack as well – asides from the usual collection of handpicked colour palettes to choose from, we’ve also included loads of object styles to jumpstart your process. ![]() They range from crisp, neat strokes / pattern strokes through to rougher, more distressed looks – and they all play nicely together, so your final artwork looks cohesive. Create amazing vector illustrations across a massive range of styles! Whether you want to add a quick touch of character to simple vector shapes and illustrations – or create much more complex and detailed artwork that’s bursting with life and flavour – VOLT has you covered.Īt the heart of the pack is over 150 vector brushes, including outliners, multiliners and patterns in a range of styles which can be used as strokes or fills for you to mix and match to create your very own look.
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